Some bits and bobs taking place over the next few weeks… I interviewed the MC/rapper Costello yesterday for DCTV – the interview will feature on the community tv programme Community of Independents this Thursday on DCTV (and aertv.ie). Not being the world’s greatest expert on Irish hip hop, I approached the interview with a bit of nerves, but it turned out really well as Costello was well able to chat and was really open about the different subjects we talked about. It was great education for me in what the Irish hip hop scene is up to, and I’ll be paying … Continue reading Onra, Yawning Chasm, Costello, Adventures of a Music Nerd
Ah, Galway. I’ve had visions of this little city running through my head for the past few weeks, all because of a series of interviews I did for the Irish Times‘ music supplement The Ticket a few weeks ago. The article came out yesterday – you can read it here – but due to word counts I simply couldn’t include everything I spoke to people about.
Usually that’s not an issue – I’ve worked in this business long enough to know you just have to forget about what you cut to make your word count, like scraps of scribbled-on paper thrown in a bin. It’s just part of the job.
But I enjoyed doing these interviews so much, and felt so welcomed into the fold when I visited Galway, that I’ve decided to put some longer versions of these interviews on the blog. There is so much going on in Galway at the moment; for such a relatively small city there are great little pockets of people working away at their music, putting on gigs in their own homes, setting up nights to bring more Irish music to the city, even buying their own vinyl-pressing machines so they can press their own records.
Yet at the same time, Galway isn’t necessarily the place people flock to for gigs – except for the Roisin Dubh, which has a fantastic reputation in Ireland and abroad, people don’t tend to visit the West for gigs unless for special occasions, like the upcoming Galway Arts Festival. This can be reflected in the audience numbers at the smaller local gigs, where I’d venture they don’t always get full houses.
While not having a jammed-to-the-rafters gig doesn’t indicate that your gig is of a low quality, people can get discouraged when they feel that their work is being taken for granted. It’s great to have your work acknowledged and to feel that you are making a contribution to the local ‘scene’ or scenes, even on a very small scale.