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What’s happening as we re-enter and re-build Dublin?
At the dawn of 2019, I wrote a piece about how I felt like the Dublin I knew had been disappearing before my eyes; how a layer of buildings and memories was being disassembled and a new layer constructed over what I was familiar with. That version of me feels so much younger now, given…
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The joy of Dead Eyes
No matter how many times I stumble across something – a song, a movie, a book – that gifts me way more than it promised, I find myself delighted and surprised by it. You know the kind of thing: something that ends up being more than the sum of its parts, that ends up meatier…
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Thoughts on Minari
The film Minari is about the specific and the universal. It’s about the specificity of being a Korean dad in a family of four, trying to start a farm in rural Arkansas, a place you have never been before. On this farm, you want to grow vegetables which you are ultra-familiar with, and which remind…
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Sunday Miscellany: Magic Nights at the Lobby Bar
On putting on an Elliott Smith tribute gig on the worst night possible.
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The Land of No Junction
On Aoife Nessa Frances’s excellent debut album, looking back at early 2020, and Christmas difficulties.




