Archive for February, 2012

February 20, 2012

Sometimes it’s like you’re sitting on a wire

by sweetoblivion26
F1000019 by Aoife B
F1000019, a photo by Aoife B on Flickr.

Crows: Taken one day on the way to work (right) and the way from work (left) in Newbridge, last year, using a Golden Half

February 17, 2012

Sweet Oblivion 16 Feb 2012

by sweetoblivion26

This week’s Sweet Oblivion is up for your listening pleasure right now - just click here.

Here’s what to expect on the show…

Artist//Track//Album

Kings of Convenience – I Don’t Know What I Can Save You From – Quiet is the New Loud

Perfume Genius –  DIRGE – Put Your Back in 2 It

Low – Like a Forest – Things We Lost in the Fire

Windings- The Space I Ooccupy

“The Space I Occupy/ The Hassle” is the new double A-sided 7” Single fromwindings, released this February 2010 on Out On A Limb Records. Both tracks on the single are available to stream at www.windings.bandcamp.com. The 7”, complete with download code, will be available in independent record stores and online. This month, windings will launch a Fundit campaign to raise funds for the recording of their new album, to be recorded by Efrim Menuck (Godspeed You! Black Emperor) in Hotel2Tango Studios, Montreal.

Songs of Green Pheasant – Teenwolf – Soft Wounds

Katie Kim – Your Mountains My Mountains – Cover and Flood

Plugd/We Are Noise listening party for Cover & Flood on 1 March 

Laura Sheeran – Oh, How The World Changed – Murderous Love

Twin Terrace – To Belong

mynameisjOhn – Sweaty Dreams of Bate Kush- ‘The Thinker & The Prover’ EP -

Kim V Porcelli - I Want Your Love

Shlomo – wen uuu (Teebs Remix)

Anenon – Acquiescence

Chromatics – Into the Black

Lindstrom – Déjà Vu

February 11, 2012

Latest Sweet Oblivion shows plus playlists…

by sweetoblivion26

Hey folks, here’s a little update on the most recent Sweet Oblivion shows.

You can listen to them all on the RTÉ Radio Player, which is a really handy addition to the site.

Here’s the link to the most recent show – if you click through to this, you will then be given the option to listen to even more Sweet Oblivion shows. Just click on ‘Listen Back Further’.

As always, thanks to everyone who listens in, I couldn’t do the show without you.

Here are the playlists for the most recent shows:

[Artist - Track - Album]

9 February 2012 (click)

Jens Lekman – 17 Maple Leaves [7' Version]

Cloud Nothings – Fall In – Attack on Memory

Wild Nothing – Nowhere

Sharon Van Etten – Serpents  – Tramp

PJ Harvey  – This Mess We’re In – Stories from the city, stories from the sea

Ghost Estates – October

mynameisjOhn –  The Cumulative Recorder – The Thinker & The Prover EP

Twin Terrace –  You Keep Coming Back – Twin Terrace

Kim V Porcelli – I Want Your Love – Chic

Mark Lanegan – Harborview Hospital – Funeral Blues

Sufjan Stevens – Casimir Pulaski Day – Come on Feel the Illinoise

Benoit Pioulard – Ailleurs – Lyon

Olafur Arnalds – Film Credits – Living Room Songs

Deadball Specialists – Trapatoni’s Men – Wingnut Fundraiser EP

2 February 2012 (click)

Kayfabe – Bicycle Day In The Cosmos

Peaking Lights –  All the Sun That Shines – 936

Logikparty – Anti Omerta

ESG – Erase You

Fela Kuti – Everything Scatter (Toby’s Indigo Edit)

Arthur Russell – See Through Love

Blonde Redhead – Melody – Misery is a Butterfly

Bill Ryder-Jones  - Leaning From The Steep Slope – If

Sharon Van Etten – Serpents  – Tramp

Wild Nothing – Nowhere

07-Perfume Genius – Dark Parts – Put Your Back N 2 It

Perfume Genius – Put Your Back N 2 It - Put Your Back N 2 It

Songs of Green Pheasant – Deaf Sarah – Soft Wounds

26 January 2012 (click)

Perfume Genius – All Waters –  Put Your Back N 2 it

Kayfabe – Bicycle in the Cosmos

Nicolas Jaar – And I Say (ft. Scou Larue and Will Epstein)

Come on Live Long – White Horses  (REID Remix)

Simon Bird – Nightcall (Kavinsky Cover) - Quompilation #2 

Slow Place Like Home – Carte Blanche – Coastal Hubs for Chivalry

Bantum – Elephants and Time – Come on Live Long Remix

Mark Lanegan-  Ode to Sad Disco – Funeral Blues

Lower Dens – Brains

Perfume Genius – Hood – Put Your Back N 2 it

Perfume Genius – Normal Song – Put Your Back N 2 it

Elliott Smith – Rose Parade – Either Or

Orcas – Carrion

19 January 2012 (click)

Yawning Chasm – Stars are Going Out

Peter Delaney – If You Become Impossible – Duck Egg Blue

Marisa Nadler –  Box of Cedar – Ballads of living and dying

Sharon Van Etten – Love More – Serpents

The Unthanks – Nobody Knew She Was There – Here’s the Tender Coming

Orcas – Carrion

Band of Clouds – No Maps No Compass – Outside Broadcast

A Winged Victory for the Sullen – We Played Some Open Chords and Rejoiced, for the Earth Had Circled the Sun Yet Another Year

The Caretaker – Tiny Gradiations Of Loss (excerpt)

Brigid Power Ryce – Wild Grin

Gillian Welch – Everything is Free –  Time (The Revelator)

Mary Margaret O’Hara – Body’s in Trouble – Miss America

12 January 2012

Songs of Green Pheasant – Teen Wolf – Soft Wounds

Songs of Green Pheasant – For People – Soft Wounds

Seamus O Muineachain – Down I Go – Between Islands

Band of Clouds – So Long Bitter Root Hill – Outside Broadcast

INTERVIEW – GIB CASSIDY

The Lives of Millionaires – Chrysalis

The Star Department – Antlers

Logik Party – Anti Omerta

Slow Place Like Home – More Chlorine in the Gene Pool – Coastal Hubs for Chivalry EP

Toby Kaar – Fela Kuti – Everything Scatter (Toby’s Indigo Edit)

Faws – Camille – Antonym

5 January 2012

Mitten – Similar Sense- See You Bye

Toro y Moi – New Beat – Underneath the Pine

M83 –  Midnight City – Hurry Up We’re Dreaming

Kuedo – Ant City – Kuedo

THEESatisfaction –  Do You Have Time – Transitions

Hauschka – TwoAM – Salon Des Amateurs

A Winged Victory for the Sullen – Steep Hills of Vicodin Tears – s/t

Olafur Arnalds – Fyrsta – Living Room Songs

Dirty Beaches –  True Blue – Badlands

Widowspeak – In the Pines – Widowspeak

Arborea – Phantasmagoria in Two

Low – Especially Me – C’mon

Meg Baird – Share – Seasons On Earth

Gillian Welch – Tennessee – The Harrow and the Harvest

February 9, 2012

Is this real? Wipers

by sweetoblivion26

I go with gut feeling a lot when it comes to music. In a weird way, I often get a sense about whether I’ll enjoy a band before I even listen to them. It’s like I’m driven to seek them out and just know I’m meant to hear their work. This isn’t the same as hearing a new band’s name bandied about blogs; this usually happens to me with older or established bands.

In the case of Wipers, the cult Portland post-punk/pre-grunge-era three-piece, when I first heard their name I knew they were a band I needed to investigate. And almost immediately I started seeing them mentioned in different places, like a little flag saying ‘Hey! We’re waiting!’.

So I got stuck in.

And if you’ve ever listened to them, you’ll know where this goes.

The ironic thing is that their music wasn’t what I was really seeking out at the time – isn’t that always the way? But this… well, this was pretty special.

Pitchfork recently featured a comprehensive and passionate article about the band written by Nick Sylvester, which focuses on the band’s first three albums (Is This Real?, Youth of America and Over the Edge), the ones which I personally am most familiar with.

It’s a great read and a look at why people find Greg Sage, Sam Henry and Dave Koupal so fascinating. Some of the bands Wipers influenced – like Melvins, Dinosaur Jr, Pavement – went on to become more famous than their idols could have dreamed of. But there’s always something that bit more interesting about the bands whose names are only rarely scribbled on teenagers’ notebooks, I find.

I love this quote from the Pitchfork piece:

 A lot of bands, my own included, claim Wipers as an influence, but it’s a tough one to back up. At best it’s spiritual. At worst you’re ripping these guys off and hoping no one catches you.

Wipers have a rough, angry edge to their music – it’s unpolished, uncompromising and unapologetic. But it’s melodic, too, with its punch-the-air, sing-along choruses. The relationship between the vocals and music can even seem discordant at times.

Sage’s lyrics have a depth to them that takes a while to be seen. He’s singing of alienation, of suicide, of darkness, of war, real and imagined, and of no-longer-giving-a-fuck; of roaming a boring American suburban town and teetering on the edge of a metaphoric cliff.

This music is vital and thrilling. Delving even further into their back catalogue excites me, but based on what I have already heard of their later releases, I don’t know if they ever topped those first three albums.

Here’s a clip from a documentary on Portland’s DIY scene – I love Sage’s comment at the very beginning:

And my personal favourite, the Sonic Youth-esque Doom Town from Over the Edge:

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