Posts tagged ‘discussion’

November 23, 2010

Sista Mix-A-Lot

by sweetoblivion26

Remember mixtapes? It’s strange to think that just a decade ago cassette tapes and by extension mixtapes were a big part of my life, and other music-obsessed teens’ social and cultural lives. When I was a kid, I’d tape myself and my sisters singing and play-acting, or myself and my cousin singing songs we’d written ourselves, such as the classic ‘Working at the Grocer’s’. We’d entertain/torment our parents by making them listen back to our shrieking and giggling, convinced that we were super talented young girls.

One summer, when I was about seven, I went through a phase of making ‘radio shows’ in my bedroom. I’d sing little advert breaks about Kit Kats and washing up powders and once tried to shoehorn the word ‘coy’ into a jingle as I thought it sounded great.  My dad had a huge hi-fi system (or at least it seemed huge to me when I was little) with a double tape-deck which boasted hi-speed dubbing. This gave us hours of entertainment as it meant we could record our voices and then play them back at double speed, making us sound like Alvin and the Chipmunks.

Once I discovered that you could put sellotape over the holes on the top of  ‘proper’ cassettes (i.e actual albums as opposed to blank cassettes), no tape – regardless of how precious – was safe. I had started recording songs off the radio and being able to record onto old tapes that I thought no one had a use for became a hobby of mine. When I was eight, I won a tape on 96FM, the Cork radio station (for the record, this is one of about three things I’ve ever won in my life). It was ‘Entreat’, a live Cure album recorded in Paris.

I gave the prize to my dad, but two years later I found it again in a pile of old tapes. What did I do? Only stick some sellotape on it and record Culture Beat’s ‘Mr Vain’ onto Side B…

Recording songs off the radio was a particularly fun pursuit, and one which I think helped me become more aware of what music was out there, and what music I had been missing. When I was in my cousins’ house one day I heard a song blasting from my elder cousin Mark’s bedroom; as soon as the announcer started speaking, he was cut off and another song played. ‘What’s that?’ I inquired, curious about how my cousin had managed to get the DJ to shut up and put another song on so quickly. ‘Oh that’s the top 40, I taped it off the radio’, he told me. I couldn’t wait to get home and do the same. Why hadn’t I thought of it sooner, I asked myself.

I bet I’m not the only one who, when they hear a favourite song from an old mixtape (such as Belle & Sebastian’s ‘The Boy with the Arab Strap’) instantly hears the next song on that mixtape in their head (The Frames, ‘Revelate’, all taped from Dave Fanning’s 2FM show), and even the snippets of ads, jingles or links that you didn’t manage to tape over.

There was a ‘home taping is killing music’ movement back in the 1980s, but the ironic thing is that home taping only encouraged my friends and I to save for the must-have new albums. If it wasn’t for home taping music, how many of us would have record collections today?

In my teens, mixtapes were the way to woo an admirer and impress others with your musical taste. I was a bit late catching up on grunge so it was a way of grounding myself in the back catalogue of Nirvana, Smashing Pumpkins et al, and discovering Jeff Buckley and Elliott Smith.

We all have those tapes that remind us of certain times; I’ll never forget that first summer holiday away with friends, in the sweltering hot Zakynthos sun and stormy night times listening to the Good Will Hunting soundtrack on my trusty Sony Walkman (the brand has recently been discontinued, sadly). It kept me company on school trips and even those car journeys where my younger siblings’ yapping was too much for my 13 year old ears.

When CDs became de rigeur, I kept up with making mix cds; when MP3s came in I recorded data CDs with about 10 albums on them. But it was never quite the same as making a mixtape. I still have a few tapes that I brought with me from Cork which I must listen to soon and try to remember those days when music was harder to come by and you didn’t have 15 albums waiting on your desktop to listen to. There was something special about those times, wasn’t there?

So why the trip down memory lane? Well, mixtapes haven’t died – they’ve just been transferred to a more modern format. Nowadays people make MP3 mixtapes and The Quarter Inch Collective has been inviting people to create them for their site.

I submitted mine last week, with the theme ‘Hey, Who Really Cares?’ – it’s not the same as listening to a tape, but I hope you enjoy listening to this.

And I’d love to hear your tape memories – what were your favourite mixtapes?

When did you stop recording off the radio – or have you ever stopped?

Download Hey Who Really Cares? here

November 23, 2010

Cork Rock City

by sweetoblivion26

About a day after I’d submitted my article to the Irish Times on Cork’s underground, I discovered that the Drop-D site was about to release a free download of music by Cork bands. It’s a particularly good omen that Cork has had the national spotlight shone on its music scene twice within the space of a month, and proof that there is so much going on in the city.

The comprehensive free Drop D release consists of four compilations that span everything from electronica (Toby Kaar) to noise (Mersk) but mainly concentrate on rock and indie bands.

CORK ROCK CITY

If you haven’t already, you can download the quadruple album here.

Drop D say:

Cork‘s music scene has, in recent years, developed into one of the most varied, vibrant and vital anywhere, much less in the country. Artists of all genres co-exist, collaborate and thrive, in venues all around the city, from pubs and churches to abandoned courthouses and on the street. The sense of community and the nurturing of creativity the town offers, in its colleges, practice spaces, record shop, pubs and venues, and at events such as the Jazz Weekend and the Sonic Vigil, truly sets our town out as an example of what independent music can mean when we work together, and how creativity will always triumph over external adversity.

The great thing about this compilation is the breadth of genres – from melodic death metal (For Ruin) to dark blues (Brains), Grindcore (I’ll Eat Your Face), dub (Wiggle) and even drone (Mersk), there is a huge amount covered here.

With a large amount of bands featured on this compilation, as you would expect the quality varies somewhat throughout. There are some polished, high-quality tracks and some that are definitely more than just rough around the edges. But that said, I’d wager the vast majority of the songs were recorded in houses, garages, anywhere other than studios.

This is a snapshot of Cork’s music scene at a particular moment in time – when the country is in turmoil and all we can do is seek refuge in whatever creative interests provide us with a sense of calm. Will all of these bands become household names? No, but that’s not the point.

Download the compilations: Disc 1Disc 2Disc 3Disc 4Artwork/Videos/Bios/Extras

(Please note: the downloads are in .rar file format. In order to extract the MP3s from their package, please use WinRAR, downloadable by clicking the link.)

There is a choice of 5 covers featuring the work of Cork artists Allan Kenneally (AJ) and Ricky Sweeney and Edith O’Mahony,

TRACK LISTING:

DISC 1
Hope is Noise – Peace and Quiet
Arm the Elderly – Catwalk Revolution
Elk – Nordic
Hooray for Humans – Chevy Chase
Show Motion Heroes – I Think You Ruined My Life
Versives – Fall from Skies
Time is a Thief – Holding the Gun
Artful Renegade – We Own the Night
When Good Pets Go Bad – Far Cry from Nowhere
Cian Walsh – Waltz Along the Promenade
Jonny Rep – If You Had a Plan
Dmitry Datus – Nervous Badger
New Mind Line – A Different Vein
KVX – Graphs
Ladydoll – Genetics
Fingersmith – Sub
Chunky Planet – Suicide Bomber
Ian Whitty and the Exchange – Not on Your Side
Ugly Beautiful – Weekend
Zombie Computer – Get Over You

DISC 2
Stone Throwing Youths – Too Much Information
Beard-Seeking Missile – Dreamermode
The Shed – Craven Walker
Hey Maker! – Sunshine Goes Away
Mr. Explorer – Born Again
My Evil Ex – (Just a Little) Drop of Poison
Beastmen – El Maniaco Contra El Monstruo
Agitate the Gravel – Interval
Los Langeros – Greasy Coat
The Grunts – Party Weirdo
Honey Badger – TV Psycho
The Grandmothers from Outer Space – Cool, Cool Japanese Schoolgirl
Stanton’s Grave – TV Zombie
Brains – 3ft Wide, 7ft Tall
El Bastardo – My Name is Shite
[r]evolution of a sun – Conspire
Hours of Ours – Hours of Ours
Fivewilldie – Black Cloud
Molde – The Price You Pay to Lose Yourself

DISC 3
People of the Monolith – Harvest
Keith Hynes – Palindrome
Detonate – Trojan Horse
Knock ‘em Dead – Dragged Out to Sea
Defect – Scarred
Yesterday’s Heroes – Revengers
Flatline – Blud Kudgel
Sirocco – Dorchadas
For Ruin – Care of the Dead
I’ll Eat Your Face – Dr. Pancake’s Luxurious Ratskin Housecoat
Plinth – La Dlumbra Klxae Futcheon
Lamp – Temet Nosce
Vita – My Father’s Mean
Sideproject – Outpatients

DISC 4
Letter from Belgium – Inland
The Altered Hours – Daydream Parade
Mersk – The Sea of Okhotsk
Deadlands – One
Lift – The Spyre
Wasps vs. Humans – Failure Got Stuck in Traffic
Spekulativ Fiktion – Motives to Create
Wiggle – Brighten the World
Tenonsaw – Twist
In Valour – Higher
Laserface – Bothar Dunta
Fear Stalks the Land! – Akrs
Commandot – Goddessship
Toby Kaar – Crank
Generic People – Generic People
Robin Renwick – Inetro
VIDEO:
Hope is Noise – Relation
I’ll Eat Your Face – Rotting Clip
Elk – Bad Cat
The Grandmothers From Outer Space – Cool, Cool Japanese Schoolgirl

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